I AM 8-BIT, pt. II

Back in April, I wrote about the I AM 8-BIT group exhibit at Gallery Nineteen Eighty-Eight (who, incidentally, with their recent Disney-themed "Remixing the Magic" group exhibit - expect an update on that sometime this week - along with I AM 8-BIT, are rapidly becoming one of my favorite L.A. pop art gallery.)

Today I finally received my copy of "I AM 8-BIT: Art Inspired By Classic Videogames of the 80s" from Amazon, and... wow. Considering the remarkably low price ($15 plus shipping,) I was not expecting it to be even half as lovely as it actually is. Every one of its 156 pages reproduces a glossy, full-colour print that was featured in the show, and although it doesn't provide complete coverage - there are a few works from the exhibit that are nowhere to be found here, and a few that I suspect were actually done after the show, specifically for inclusion in the book - it is certainly a comprehensive look at 8-bit videogame-inspired art.

There are art books and there are art books. This is the sort of book you actually want on your coffee table: anyone under the age of 30 is going to freak right out when they see it. Forget "Historic Barns of Minnesota" - Do yourself a favour and order this book right now. Or wait for the second volume to come out (no guarantees, of course, but they've had at least two seperate I AM 8-BIT shows, so Gallery 1988 has no shortage of material) and order them together. You won't regret it.

Mark Ryden

The Creatrix

Chances are this will be merely the first of many entries about Mark Ryden - along with Camille Rose Garcia and Tim Biskup, Ryden was one of the first artists to introduce me to pop surrealist art, and there's something about his style - the attention to detail, maybe, or perhaps the fact that his figures tend to resemble a cross between dolls and Christina Ricci - that I find endlessly appealing. I could spend (and in fact have spent) hours staring at his artwork.

Ryden's recent hardcover book "Fushigi Circus" (aka "Mysterious Circus") is up for sale at Last Gasp (incidentally, an excellent, reliable and highly professional source for all your art book and print needs) for the insanely low price of $35.00 USD, so I recommend you take advantage of this and order your copy while supplies last. Even in the highly unlikely case that you've never heard of Mark Ryden, you won't be disappointed.

"Fushigi Circus" Cover

Winsor McCay

Dreams of a Rarebit Fiend

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Winsor McCay is best known as the creator of the turn of the century strip "Little Nemo in Slumberland", in which a young boy has surreal nightly adventures in the land of dreams. What he is less known for is his concurrent strip "Dreams of a Rarebit Fiend" ("Nemo" ran from 1905 to 1914, while "Rarebit Fiend" ran from 1904 to 1913.) While "Nemo" was, for all its disturbing and occasionally violent imagery, ostensibly a children's strip, "Rarebit Fiend" was firmly directed towards adults, and seems bizarre and edgy even in comparison to today's bland, content-regulated funny-pages fare.

Each "Rarebit Fiend" strip is highly formulaic. A semi-realistic situation is set up, which escalates over the course of seven or eight panels into pure surrealistic chaos - until the punchline of the last panel, which is always the same: the protagonist of the strip wakes up in bed, looking stunned and sheepish, swearing off "welsh rarebit" (or simply toasted cheese) before bed for good. Within this formula, however, McCay (who was forced to use the pseudonym "Silas" by the editor of the Herald, wherein his massively successful "Nemo" strip appeared and his real name was practically a brand name in and of itself) was given free reign to be as strange and imaginative as he wished, and "Dreams of a Rarebit Fiend" is full of Masonic rituals (see above), people growing antlers, fat jockeys crushing their horses, dead stoles coming back to life, and so forth.

"Little Nemo" was, without question, one of the first truly important newspaper cartoons (the first being "The Yellow Kid", published in the late 19th C. ) and it continues to have a phenomenal impact even today, on everyone from Matt Groening to Neil Gaiman - McCay set the stage for cartoonists to develop their own unique styles of illustration and storytelling, and the strip was of a consistently high quality from beginning to end. "Rarebit", on the other hand, tends to be a bit more uneven; it possesses a decidedly sketchy and compulsive quality, as if McCay were throwing each strip together in the middle of the night, inspired by his actual dreams.

Currently, there is no comprehensive collection of McCay's "Dreams of a Rarebit Fiend", but Dover has recently reprinted their 60-page trade paperback, which is worth picking up from from Amazon or your local retailer for the price alone. Dover has also re-released their "Little Nemo" collection, but it too is unfortunately incomplete. The best and highest-quality "Little Nemo" collection is the out-of-print "So Many Splendid Sundays", but until Sunday Press decides to release a 3rd edition, we'll have to content ourselves with the Dover collection and the McCay retrospective "Daydreams & Nightmares" (which is an excellent book in its own right, I should point out.)

Little Nemo in Slumberland

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Floria Sigismondi

I can't praise Floria Sigismondi enough. Her music videos for Marilyn Manson, Sigur Ros and David Bowie are haunting and beautiful, and her photography is even more stunning. Her second collection, Immune, published by Gestalten Verlag, was released this past November and it is from this volume that the above photographs were taken (the first volume, also published by Gestalten Verlag, was titled Redemption and is currently both out of print and in great demand - copies sell at auction anywhere from $60 USD to $600 USD.) Both books are incredible and worth every penny.

Studio execs of the world: give Floria Sigismondi lots and lots of money to make feature films. Palm Pictures: for your next series of Director's Label DVDs, I urge to you consider Floria Sigismondi for inclusion. Everyone else: visit Floria's website, and order a copy of Immune before it, too, goes out of print.

Link to Floria Sigismondi's website.

(All Images © Floria Sigismondi 2006)